Tom McDonald dropped a powerful tribute song for Charlie Kirk, and I had to share my first reaction with you. Charlie wasn’t just a leader—he was a husband, father, and friend who inspired me and so many others to keep pushing forward. We’re making sure his legacy lives on, and you can support his family directly through our tribute shirts and donation links.

Supporting Links / References Read the evidence mentioned →
FULL SONG: https://www.youtube.com/watch?v=q8SbeHhNR9k&list=RDq8SbeHhNR9k&start_radio=1

Charlie Kirk Merch: 100% Of Proceeds go to the Kirk Family
https://www.theofficertatumstore.com/
Donate Directly to the Kirk Family:
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⏱️Chapters
0:00 - Intro
5:00 - Tribute
7:00 - Closing

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Busta Rhymes feat. Kodak Black - HOMAGE (Official Music Video)"BLOCKBUSTA" available at: https://BustaRhymes.lnk.to/BLOCKBUSTA"HOMAGE" available at: https://BustaRhymes.lnk.to/homageFollow Busta Rhymes:https://www.instagram.com/bust....arhymes/https://twit 2024 Conglomerate Ent. under exclusive license to Epic Records, a division of Sony Music Entertainment#BustaRhymes #KodakBlack #BLOCKBUSTA
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Red Bull League of Its Own returns on December 15, 2024, at the Accor Arena in Paris, France – home of the 2019 League of Legends World Championship Finals. This year, the stakes are higher than ever as more teams join the line-up for an exclusive, day-long invitational featuring the legendary T1 from Korea facing off against some of Europe’s fan favourites.

00:00:00 Opening Ceremony
00:11:11 Walk-Ins
00:31:37 Nemesis Draft NNO vs T1
00:38:27 T1 vs NNO
01:36:13 Walk-in GentleMates
01:49:15 T1 vs GentleMates
02:47:09 Walk-Ins G2 and KCORP
03:16:08 G2 vs KCORP
04:07:37 BREAK
04:47:50 1v1 ShowMatches
06:02:30 Walk-Ins T1 and Rats
06:15:39 T1 vs Los Ratones
07:10:27 Walk-Ins G2 and REKKLE
07:22:39 T1 vs G2
08:18:30 Walk-In KCORP
08:30:50 T1 vs KCORP



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James Davis talks about growing up “hood-adjacent”, imagines what Barack Obama would be like as a nightclub DJ, and reveals his new method for getting out of speeding tickets.

This performance was recorded on Feb. 12, 2020. We will continue releasing Tiny Desk videos of shows that had already been taped. In light of current events, NPR is postponing new live tapings of Tiny Desk Concerts. In the meantime, check out Tiny Desk (home) concerts! They’re recorded by the artists in their home. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

June 17, 2020 | Abby O'Neill -- On a brisk February morning, Alicia Keys, full of effervescence, entered NPR through the loading dock wearing a canary yellow faux fur coat. During our ride to the fourth floor, she joked about how she hadn't been invited to play at the Tiny Desk. That, of course, wasn't exactly true. We worked on and off for years to make this moment happen, and I can say wholeheartedly that it was worth the wait.

Alicia Keys has an aura that you can sense the second she enters a room, or in my case, an elevator. She radiates compassion and kindness. This spirit is the key to Keys's songwriting, which is rooted in introspection and mindfulness.

As she approached her piano, a bit surprised at the amount of people in the room, she smiled and remarked over her shoulder, "Gee, the Tiny Desk is tiny!" She kicked off the set with an uncanny ode to combat the darkness of this moment in American history: "Show Me Love," a single she released in 2019. No one could have predicted then how much her lyrics and musical healing would be crucial during this emotionally fraught time of unprecedented political and racial unrest, heightened by three months of quarantine due to a global pandemic.

The stand-out moment during her Tiny Desk was the premiere of "Gramercy Park", a song from her upcoming self-titled album, ALICIA, which is set to be released this fall. It's one of those timeless songs that will transcend radio formats and genres, with lyrics that address how utter selflessness and worrying about making everyone happy but yourself can throw your own center askew. The song's spiritual refrain is sure to be a sing-along moment for the rest of Keys's career.

She told the crowd after "Gramercy Park" that she's struggled with appeasing people her whole life, but she's trying harder now to set boundaries. Luckily for the Tiny Desk audience, that resolution didn't pertain to this concert. After wrapping up what was to be a three-song set with her latest single "Underdog," which you may have seen her perform at this year's Grammys, the crowd begged for an encore. After crowdsourcing suggestions, she and her band delivered a riveting rendition of Keys's breakout 2001 single, "Fallin'."

The world, now more than ever, needs more love, reflection and accountability – a mantra that's woven into every fiber of Alicia Keys's being and every lyric of her songs.

SET LIST
"Show Me Love"
"Gramercy Park"
"Underdog"
"Fallin'"

MUSICIANS
Alicia Keys: vocals, piano; RAII & Whitney: vocals; Ant Parrish: bass; Curt Chambers: guitar; Mike Reid: drums; Omar Edwards: keys.

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith, Kara Frame; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, Natasha Branch; Videographers: Kara Frame, Maia Stern, Melany Rochester, Shanti Hands; Editor: Maia Stern; Associate Producer: Bobby Carter; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Kisha Ravi/NPR

⁣10 Finalists Face-off Live for Jamaica’s Festival Song Competition 2025 Title - An Onstage Special

At one local historically Black college, it's not just about playing games. "We're literally trying to connect and help people find a profession."

Come to the Yard!

President Donald Trump on Thursday is expected to give remarks virtually at the Digital Asset Summit.

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In this full special titled "Souther Comfort" from Mike James, Mike talks about everything from homeschooling to natural birth and even tall people problems. Whether you're someone who got stuck homeschooling during 2020, or you're just someone who needs a good laugh, this full comedy special from Mike James is sure to have you laughing from start to finish.

Watch Sting And Shaggy play "Englishman in New York", "Don't Make Me Wait" and "Shape of My Heart/Lucid Dreams" at the Tiny Desk.

Watch Tiny Desk Concerts ONE WEEK before they go on YouTube at https://www.npr.org/tinydesk

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July 10, 2019 | Josh Rogosin -- Sting and Shaggy might not be the most likely musical pairing. But one thing is certain, they love playing each other's music. On a bright autumn morning, the legends arrived at the NPR Music office bleary-eyed yet excited to play for the diverse staff of Shaggy and Sting fans. What surprised many of my NPR colleagues is just how well the collaboration works.

Their success as a duo shouldn't come as a total shock. After all, pulsing through many Police songs (Sting's famed band of the '70s and '80s) is a Reggae backbeat. It's impossible not to hear the influence in classics like "Walking On The Moon" and "So Lonely."

Shaggy (zoinks! - his nom de guerre comes from the Scooby-Doo cartoon character) was born in Kingston, Jamaica. He moved to New York when he was 18 and his music evokes only good vibes. The positive energy he brought to their opening song, "Englishman [and Jamaican] In New York," had everyone in the room grinning ear to ear, "early morning Reggae style," as he put it. After the tune, Sting announced "I never sang that song before 8 PM... Ever!"

Sting's familiar, raspy voice was accompanied by his battered 1957 Fender Precision bass he's plucked for over 25 years. His long-time guitarist and collaborator, Dominic Miller, strummed Reggae offbeats on acoustic guitar and co-wrote the hauntingly beautiful "Shape Of My Heart." That song is mashed-up with Juice Wrld's "Lucid Dream," sung by Gene Noble, offering a refreshing counter to Sting's nuanced melody.

Shaggy affectionately refers to his collaborator as "Stingy," putting his arm around him mid-performance. It's easy to see the comradery that being on the road together affords these veteran musicians, to say nothing of the breath of fresh air they bring to each other's music.

SET LIST
"Englishman in New York"
"Don't Make Me Wait"
"Shape of My Heart/Lucid Dreams"

MUSICIANS
Sting: vocals, bass, guitar; Shaggy: vocals; Dominic Miller: guitar; Gene Noble: vocals; Melissa Musique: vocals

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, CJ Riculan, Maia Stern, Beck Harlan; Editor: Kaylee Domzalski; Associate Producer: Bobby Carter; Photo: Cameron Pollack/NPR

After Robert is fired from his own father's company, he feels like his luck has run out - until Morgan enters into his life.

Tyla & Sean Paul - PUSH 2 START (REMIX - Official Music Video)

"PUSH 2 START (REMIX)" available at: https://tyla.lnk.to/PUSH2STARTRemix

Directed by Tyla and Taylor Fauntleroy
Produced by Happy Place
Executive Producer - Tara Razavi
Head of Production - Jared Fassler
Producer - Julio Mata Jr.
Production Coordinator - Julia Schreib
1st AD - Evan Coniglio
Set PA - Erika Espinosa, Ryan Silver, Sam Smoot
Truck PA - Claudius Shropshire

Director of Photography - Luis Perez
1st AC - Jose De Los Angeles
2nd AC - Cynthia Trejo
DIT - Eduardo Gonzalez

Gaffer - Emilio Marcelino
Best Electric/Driver - Raul Morales
Electric - Ernie Rosas
Electric - Alex Rodriguez

Key Grip - Charles Lenz
Best Grip - Matt King
Dolly Grip - Demetrie Cooley
Grip - Donell Wiley

Production Designer - Hensel Martinez
Set Dresser - Talyn LaTour
Set Dresser - Dylan Dobler

Tyla Hair Stylist - Malcolm Marques
Tyla Makeup Artist - Jimmy Stam

Tyla Stylist - Savannah Baker, Tyla & Ronnie Hart
Tyla Stylist Assistant - Sarikka Raman
Tyla’s Stylist Assistant - Garrett Ives
Tyla Seamstress - Simone Kurland

Stylist - Kenn Law
MUA - Manu Horn
Hair Stylist - Sandra Perez

Catering - Luis Catering

Choreographer - Lee-che Janecke
Dancers - Starley Anne Carrington, Jada E'vai Walker, Kayla Zimmerman
Bone Breaker - Nicholas Stewart

Head of Accounting - Paymon Buickzadeh
Production Accountants - Ashley Maltez, Nancy Vasquez

Edited by Dave Phelps, Taylor Fauntleroy and Tyla
Color by Dylan Hageman
VFX - Alex Bartz
Jr Post Coordinator - Emily Tegel
Post Assistant - Shane Emery

Management - Colin Gayle, Brandon Hixon, Tirinda Hixon, Yvette Gayle

Epic Records Video Department:
Label Producer: Gina Harrell
Label Production Manager: Pasha Eram
Label Coordinator: Kaila Sahagun

Follow Tyla:
https://instagram.com/tyla
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https://twitter.com/Tyllaaaaaaa

(C) 2025 FAX Records, under exclusive license to Epic Records, a division of Sony Music Entertainment

#Tyla #SeanPaul #PUSH2START #REMIX

One look wasn’t enough for Cardi B. Watch as the musician gets ready for the Met Gala with a look inspired by Karl Lagerfeld's unique fashion sense.

Director: Jillian Iscaro
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Producer, On Set: Ndeye Thioubou
Associate Director, Creative Development: Billie JD Porter
Associate Producer: Jazz Pitcairn
Assistant Camera: Nicole Hansen
Audio: Jay Reid
Production Assistant: Maya Iman
Filmed on Location: The Mark Hotel
Assistant Editors: JC Scruggs, Justin Symonds
Post Production Coordinators: Jovan James, Alexa Deutsch
Supervising Editor: Kameron Key
Post Production Supervisor: Edward Taylor
Production Coordinators: Ava Kashar, Matthew Fodera
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Stories about punk music tend to picture thin-framed white guys and girls with shaved heads, part of an angry, energetic scene born out of the working class angst of young white England in the 1970s. But the actual history of punk – as a type of music and movement – is more complicated than that.

Black punks have been an integral and pioneering part of punk history – and they're keeping the movement alive and growing today. Host Sana Saeed explores that history and talks to proto-punk band Death, musician and journalist Greg Tate, the band The 1865 and festival organizer Shawna Shawnté.

Learn more here:
New York Times. “This Band Was Punk Before Punk Was Punk.”http://www.nytimes.com/2009/03..../15/arts/music/15rub

Vice. “The Bands Taking British Punk Back to Its Multicultural Roots.” https://noisey.vice.com/en_us/....article/padjev/decol

GQ. “Nazi Punks F**k Off: How Black Flag, Bad Brains and More Took Back Their Scene from White Supremacists.” https://www.gq.com/story/punks....-and-nazis-oral-hist

Relevant links:
A Band Called Death: http://drafthousefilms.com/fil....m/a-band-called-deat
The Universe Is Lit: http://www.theuniverseislit.com/
Bay Area Girls Rock Camp: https://www.bayareagirlsrockcamp.org/
The 1865: https://www.instagram.com/the1865band/

Presented by: Sana Saeed
Edited by: Brian Joseph and Michael Zipkin
Animations by: Chia Liu
Produced by: Sana Saeed and Kathryn Wheeler
Executive Producer: Sarah Nasr


Music tracks courtesy APM, YouTube and The 1865.
Footage and images courtesy of Getty Images, The Universe is Lit, Keep on Knocking, LLC, Ed Marshall Photography NYC, Evan Carter and Paul Rosenfield.

Nicki Minaj has indelibly changed the game for hip hop artists over the past decade, showing a complex visage: the ferocious emcee who’s just as comfortable being the girl next door, glammed up Barbie doll, or rambunctious alter ego Roman Zolanski.Ashley PearsonBilly Johnson JrJason KingJayson RodriguezNicki MinajPop WanselCameron DiazLeslie MannLittle MixBoris Johnson

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Exclusive WSHH music video for “In Da City” by Porsche Truck Ruk (ft. Jadakiss).
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WorldstarHipHop is home to everything entertainment & hip hop. The #1 urban outlet responsible for breaking the latest premiere music videos, exclusive artist content, entertainment stories, celebrity rumors, sports highlights, interviews, comedy skits, rap freestyles, crazy fights, eye candy models, the best viral videos & more.
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Fashion retailer DTLR is bringing you the eSports Battlegrounds on Sunday Oct.18th and 25th. HBCU players and music artists.