MAYHEM OUT NOW
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Directed by Lady Gaga, Parris Goebel and Bethany Vargas

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Music video by Lady Gaga performing Abracadabra.© 2025 Interscope Records

Legend Jimmy Cliff Live in Concert – A Celebration of his Legacy
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Filmed & Edited by: Team Reggae Live Concerts
Mastering Live Sound: Frits Panday


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Reggae Geel Festivals Collection
https://www.youtube.com/playli....st?list=PLLeb__eZCpb
Rastaplas Festival
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Lucky Dube Collection
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Reggae Central / Popcentrale / Bibelot
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Reggae Lake Festival 2018
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Reggae Lake Festival Collection
https://www.youtube.com/playli....st?list=PLLeb__eZCpb
Reggae Rotterdam Festival
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Reggae Sundance Festival
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Reggae Geel Festivals Collection
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Reggae Live Concerts
https://www.youtube.com/watch?v=D7kGvjTPKaU&list=PLLeb__eZCpbMt1mTLlG-YxAj7A3Cwnj6m
Reggae Live Concerts new
https://www.youtube.com/watch?v=jriN3CnjIhU&list=PLLeb__eZCpbPKQ8v2lSC0MSSGl8RFuCde

Free Western Movie: Joshua the Black Rider - Cowboy Movie - A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs.

Joshua the Black Rider (1976)
Director: Larry G. Spangler (as Larry Spangler)
Writer: Fred Williamson (story and screenplay)
Stars: Fred Williamson, Cal Bartlett, Brenda Venus
Genre: Western, Drama
Country: USA
Language: English
Release Date: 1 March 1977 (USA)
Also Known As: Black Rider
Filming Locations: Monument Valley, Arizona, USA

Storyline:
A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.

Reviews:
"Wow, what a great film, I can't believe how some of the reviewers did not enjoy this movie!!!! Sure some of the acting wasn't that great. The music really set the tone on Williamson's character. He was quiet, calculative and ominous. He wasn't riding to play no games, nor have much conversation - he was riding to avenge his mothers death and the music and lack of dialogue from him showed that.

Some people are just to critical on films like this. This movie was not made to win no Oscars or any other awards. It was made to entertain, and in my opinion it really did do just that for me. For those whom tend to be to critical I say - LIGHTEN UP!!! Just stop looking for things to complain about with a movie like this and just enjoy it.

Great film." Written by jeff_the_dj on IMDb.com

"This film I consider a very good example of how a film may elicit a variety of responses. I have learned not to take too seriously the comments by others or I may miss a real gem. Not that I would put this film in the gem category but definitely the good side of in-between. I am amazed to read how some abhorred the music. I recall how the music in Keoma drove some people crazy while others (like me) liked it. In Joshua the music fit the film perfectly, especially the low growl when the camera turned to the black rider. So (as we well understand) people's tastes vary. I went for the acting in this one also. I even liked the bad teeth on those ugly bad guys. Though I prefer an unpredictable story line, this film can be good when one prefers sometime something simple. Credibility got stretched for my taste but the music saved it for me. Not bad. I won't forget this one." Written by thesiouxfallskid on IMDb.com

Also Known As:
(original title) Joshua
Australia (video title) Revenge
Portugal (alternative spelling) Joshua, o Cavaleiro Negro
Portugal Joshua - O Cavaleiro Negro
UK Joshua
Black Rider
Joshua the Black Rider

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Black directors make just 1% of competition films at the world’s major festivals.

Cinema, Television & Emerging Media Program assistant professor, Avery Williams discusses the importance of Black directors, producers and screenwriters in accurately depicting stories that represent entire communities.

Morehouse's 4th Annual Human Rights Film Festival will showcase the humanity of filmmakers by expanding awareness of current social justice issues.

On Topic is where Morehouse faculty and students share insight on current events and academic research relevant to modern society.

⁣Tecknat Barn Svenska:⁣Kalle Anka på äggjakt (1944) DVDRIPPEN (Engelska) Hela Filmen (4D)

Donald Glover warns against taking advice from Tracy Morgan and details the anatomy of a Black nerd.

Paramount+ is here! Stream all your favorite shows now on Paramount+. Try it FREE at https://bit.ly/3qyOeOf

Original airdate: March 19, 2010

About Comedy Central Presents:
These half-hour specials showcased some of the best up-and-coming comedians of the moment. The show was a pivotal stepping stone for many of today’s stand-up stars, including Dave Chappelle, Patton Oswalt, Amy Schumer, Jim Gaffigan, Kevin Hart, Zach Galifianakis, Dane Cook, Bill Burr, Wanda Sykes and Maria Bamford.

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NBA 2K22 The Yard HBCU Esports Alliance League

A fierce military veteran embarks on a relentless quest to track down the ruthless men who kidnapped her son.

Movie: Daughter of the Wolf
Release Year: 2019
Starring: Gina Carano, Richard Dreyfuss, Brendan Fehr, Anton Gillis-Adelman
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Top 10 Battle of the HBCU Marching Bands Homecoming Showcase
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With interest rates at a 22-year high, Michael Pugh says Black business owners crunched for cash should look to community-based financial institutions for help.“Learn more about them; we have a very different scope [regarding loan arrangements],” Pugh, the CEO of New York-based Carver Federal Savings Bank, tells Forbes of community banks. “We have to make sure we extend our arms and get out there and tell people what they need to know to start achieving that generational wealth.”August is National Black Business Month, and ForbesBLK is highlighting the theme with special discussions about sustaining and expanding Black firms. Based in Harlem, Carver is one of the largest Black-run financial institutions in the U.S., celebrating its 75th anniversary in 2023. The bank is named after George Washington Carver and trades on the NASDAQ. Pugh was named CEO in 2012.Black businesses generated $206 billion in annual revenue and supported 3.56 million U.S. jobs in the last decade, according to the non-profit Brookings Institution. However, though Black people comprise 14.7% of the U.S. population, the community represents 12.4% of sole proprietorship and only 2.4% of employer businesses. Brookings said the stats show “disparities” that hold back Black entrepreneurs and “restrict economic opportunities for entire communities, which in turn impacts local prosperity.” Brookings also notes that access to sufficient capital remains a lingering issue for Black-owned businesses. That causes entrepreneurs to rely on personal funds and credit cards to finance operations.

This performance was recorded on Feb. 12, 2020. We will continue releasing Tiny Desk videos of shows that had already been taped. In light of current events, NPR is postponing new live tapings of Tiny Desk Concerts. In the meantime, check out Tiny Desk (home) concerts! They’re recorded by the artists in their home. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

June 17, 2020 | Abby O'Neill -- On a brisk February morning, Alicia Keys, full of effervescence, entered NPR through the loading dock wearing a canary yellow faux fur coat. During our ride to the fourth floor, she joked about how she hadn't been invited to play at the Tiny Desk. That, of course, wasn't exactly true. We worked on and off for years to make this moment happen, and I can say wholeheartedly that it was worth the wait.

Alicia Keys has an aura that you can sense the second she enters a room, or in my case, an elevator. She radiates compassion and kindness. This spirit is the key to Keys's songwriting, which is rooted in introspection and mindfulness.

As she approached her piano, a bit surprised at the amount of people in the room, she smiled and remarked over her shoulder, "Gee, the Tiny Desk is tiny!" She kicked off the set with an uncanny ode to combat the darkness of this moment in American history: "Show Me Love," a single she released in 2019. No one could have predicted then how much her lyrics and musical healing would be crucial during this emotionally fraught time of unprecedented political and racial unrest, heightened by three months of quarantine due to a global pandemic.

The stand-out moment during her Tiny Desk was the premiere of "Gramercy Park", a song from her upcoming self-titled album, ALICIA, which is set to be released this fall. It's one of those timeless songs that will transcend radio formats and genres, with lyrics that address how utter selflessness and worrying about making everyone happy but yourself can throw your own center askew. The song's spiritual refrain is sure to be a sing-along moment for the rest of Keys's career.

She told the crowd after "Gramercy Park" that she's struggled with appeasing people her whole life, but she's trying harder now to set boundaries. Luckily for the Tiny Desk audience, that resolution didn't pertain to this concert. After wrapping up what was to be a three-song set with her latest single "Underdog," which you may have seen her perform at this year's Grammys, the crowd begged for an encore. After crowdsourcing suggestions, she and her band delivered a riveting rendition of Keys's breakout 2001 single, "Fallin'."

The world, now more than ever, needs more love, reflection and accountability – a mantra that's woven into every fiber of Alicia Keys's being and every lyric of her songs.

SET LIST
"Show Me Love"
"Gramercy Park"
"Underdog"
"Fallin'"

MUSICIANS
Alicia Keys: vocals, piano; RAII & Whitney: vocals; Ant Parrish: bass; Curt Chambers: guitar; Mike Reid: drums; Omar Edwards: keys.

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith, Kara Frame; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, Natasha Branch; Videographers: Kara Frame, Maia Stern, Melany Rochester, Shanti Hands; Editor: Maia Stern; Associate Producer: Bobby Carter; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Kisha Ravi/NPR

Historically Black colleges are quickly becoming the top pick for high school basketball standouts, signaling a shift from NCAA heavyweights and top recruiters like the University of Kentucky, Georgetown and Duke. Former NBC all-star and coach of Fisk University’s men’s basketball team, Kenny Anderson, joins News NOW to explain how the trend could change the landscape of college sports across the country. 

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'Azizam' out now: https://es.lnk.to/azizam

More from Azizam: https://www.youtube.com/playli....st?list=PLjp0AEEJ0-f

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Credits

MUSICIANS:

Indian Jam
Jayesh Kathak
Gautam Sharma
Ganesh Murali Iyer
Tapas Roy
Megha Rawoot
Rohan Sonawani
Omkar Dhumal
Arbaz Khan

Persian Jam
Shahnai Band;
Amir Behmanesh
Ali Rahmani
Amir Hosein Heidari
Saeed Rezazadeh

Traditional Chinese Jam
Zhejiang Chinese Orchestra;
Wei Luo
Yirong Wang
Yuchen Jin
Ze’en Zhang
Qingling Huangfu
Yejia Shi
Yuxi Weng
Luosi Chen


Country Jam
Justin Schipper
Jim Hoke
Glenn Worf
Alicia Enstrom
Sierra Hull
Bryan Sutton
Jerry Pentecost
Fred Eltringham

Irish Jam
BEOGA;
Eamon Murray
Séan Óg Graham
Damian McKee
Liam Bradley
Niamh Dunne

Director: Liam Pethick
Director of Photography: Liam Pethick, Nic Minns


--
Azizam Lyrics:

Azizam
Meet me on the floor tonight
Show me how to move like the water
In between the dancing lights
Be mine be mine
Azizam

I wanna be nowhere but here with you now
I wanna be one in this space
I wanna be tangled and wrapped in your cloud
I wanna be close to your face

Well tomorrow can wait
Losing time in this place
Till the sun is awake
Be like a magnet on me

I don’t care what they say
We can do it our way
And if love’s just a game
Then come and play

Azizam
Meet me on the floor tonight
Show me how to move like the water
In between the dancing lights
Be mine be mine
Azizam

Azizam
Azizam

I wanna get lost in your ocean and drown
I wanna be careless and free
I wanna live here in the moment we found
I wanna be all that you see

Well tomorrow can wait
Losing time in this place
Till the sun is awake
Be like a magnet on me

I don’t care what they say
We can do it our way
And if love’s just a game
Then come and play

Azizam
Meet me on the floor tonight
Show me how to move like the water
In between the dancing lights
Be mine be mine
Azizam

Azizam
Meet me on the floor tonight
Show me how to move like the water
In between the dancing lights
Be mine be mine
Azizam

Azizam
Azizam
Azizam