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Nile Rodgers & CHIC: Tiny Desk Concert

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Sheldon Pearce | October 25, 2023
Before Nile Rodgers & CHIC set the Tiny Desk off, the icon established a sort of mission statement for the group's sound: "If we can funk in this, you know we can funk." They surely can. In stints since 1972, CHIC has assured its position as funk ambassadors — a position its members clearly relish — and no space is resistant to their grooves. When Rodgers asks singer Kimberly Davis to show the audience "how we do it in the CHIC organization," she launches into high-powered vocals that vaporize every note. And when he asks drummer Ralph Rolle to lead them to "maximum funkocity," Rolle ignites call-and-response with an electrified crowd. As the ringleader of the CHIC experience, Rodgers crams a lifetime's worth of nightlife into every strum of his guitar.

Rodgers' career is epic in both scope and impact. The 1979 CHIC album Risqué was a disco milestone that became a hip-hop cornerstone. Standing at inflection points for two different genres is enough to make a career, but Rodgers was far from done. An incomparable songwriter and session musician, his call sheet as a producer is emblematic of his immense range: David Bowie, Diana Ross, Madonna and Mick Jagger, just to name a few. His work is embedded in the very fabric of popular music, and he continues to add to his resume decades after first making changes to the sonic landscape. In 2014, Rodgers won the Grammy for record of the year with Daft Punk. This year, he amassed more honors for his work on Beyoncé's RENAISSANCE.

His wondrous set spans his massive catalog — songs he wrote for CHIC, songs he wrote with collaborators, songs he wrote for other stars and a surprise song he wrote for a classic movie. Throughout, Rodgers is the pulse for an ever-amplifying funk. The band's performance of "I'm Coming Out" builds to a rip-roaring sax solo. A rollicking performance of "We Are Family" breaks down in the middle before erupting to a triumphant finish. And atop the rippling bassline of "Good Times," Rodgers breaks into an impromptu version of "Rapper's Delight," which samples the song. It all leads to the maximum funkocity of Bowie's "Let's Dance," a tribute to the genre's reach and power.

SET LIST
"Le Freak"
"I'm Coming Out"
"We Are Family"
"Get Lucky"
"Good Times"
"Let's Dance"

MUSICIANS
Nile Rodgers: guitar, vocals
Russell Graham: keyboards, vocals
Jerry Barnes: bass, vocals
Ralph Rolle: drums, vocals
Richard Hilton: keyboards, vocals
Ken Gioffre: saxophone
Steve Jankowski: trumpet
Audrey Martells: vocals
Kimberly Davis: vocals

TINY DESK TEAM
Producers: Bobby Carter, Bob Boilen
Director/Editor: Maia Stern
Audio Engineer: Josh Rogosin
Videographers: Maia Stern, Kara Frame, Joshua Bryant, Alanté Serene
Audio Assistant: Ted Mebane
Production Assistant: Ashley Pointer
Photographer: Grace Widyatmadja
Tiny Desk Team: Suraya Mohamed, Hazel Cills
VP, Visuals and Music: Keith Jenkins
Senior VP, Programming: Anya Grundmann

#nilerodgers #chic #nprmusic #tinydesk

Alicia Keys: NPR Music Tiny Desk Concert

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19,993 Views · 12 hours ago

This performance was recorded on Feb. 12, 2020. We will continue releasing Tiny Desk videos of shows that had already been taped. In light of current events, NPR is postponing new live tapings of Tiny Desk Concerts. In the meantime, check out Tiny Desk (home) concerts! They’re recorded by the artists in their home. It’s the same spirit — stripped-down sets, an intimate setting — just a different space.

June 17, 2020 | Abby O'Neill -- On a brisk February morning, Alicia Keys, full of effervescence, entered NPR through the loading dock wearing a canary yellow faux fur coat. During our ride to the fourth floor, she joked about how she hadn't been invited to play at the Tiny Desk. That, of course, wasn't exactly true. We worked on and off for years to make this moment happen, and I can say wholeheartedly that it was worth the wait.

Alicia Keys has an aura that you can sense the second she enters a room, or in my case, an elevator. She radiates compassion and kindness. This spirit is the key to Keys's songwriting, which is rooted in introspection and mindfulness.

As she approached her piano, a bit surprised at the amount of people in the room, she smiled and remarked over her shoulder, "Gee, the Tiny Desk is tiny!" She kicked off the set with an uncanny ode to combat the darkness of this moment in American history: "Show Me Love," a single she released in 2019. No one could have predicted then how much her lyrics and musical healing would be crucial during this emotionally fraught time of unprecedented political and racial unrest, heightened by three months of quarantine due to a global pandemic.

The stand-out moment during her Tiny Desk was the premiere of "Gramercy Park", a song from her upcoming self-titled album, ALICIA, which is set to be released this fall. It's one of those timeless songs that will transcend radio formats and genres, with lyrics that address how utter selflessness and worrying about making everyone happy but yourself can throw your own center askew. The song's spiritual refrain is sure to be a sing-along moment for the rest of Keys's career.

She told the crowd after "Gramercy Park" that she's struggled with appeasing people her whole life, but she's trying harder now to set boundaries. Luckily for the Tiny Desk audience, that resolution didn't pertain to this concert. After wrapping up what was to be a three-song set with her latest single "Underdog," which you may have seen her perform at this year's Grammys, the crowd begged for an encore. After crowdsourcing suggestions, she and her band delivered a riveting rendition of Keys's breakout 2001 single, "Fallin'."

The world, now more than ever, needs more love, reflection and accountability – a mantra that's woven into every fiber of Alicia Keys's being and every lyric of her songs.

SET LIST
"Show Me Love"
"Gramercy Park"
"Underdog"
"Fallin'"

MUSICIANS
Alicia Keys: vocals, piano; RAII & Whitney: vocals; Ant Parrish: bass; Curt Chambers: guitar; Mike Reid: drums; Omar Edwards: keys.

CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith, Kara Frame; Creative director: Bob Boilen; Audio engineers: Josh Rogosin, Natasha Branch; Videographers: Kara Frame, Maia Stern, Melany Rochester, Shanti Hands; Editor: Maia Stern; Associate Producer: Bobby Carter; Executive producer: Lauren Onkey; VP, programming: Anya Grundmann; Photo: Kisha Ravi/NPR