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On The Stephen A. Smith Show, Smith gives you his renowned point of view, breaking barriers beyond the world of sports, and tackling pertinent issues across entertainment, pop culture, society, business, and politics. Three times a week, you'll hear his LIVE unfiltered opinions on the day's biggest headlines as well as straight-shooting interviews with top celebrities, game-changers, and thought leaders across the societal arena.
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Watch Sting And Shaggy play "Englishman in New York", "Don't Make Me Wait" and "Shape of My Heart/Lucid Dreams" at the Tiny Desk.
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July 10, 2019 | Josh Rogosin -- Sting and Shaggy might not be the most likely musical pairing. But one thing is certain, they love playing each other's music. On a bright autumn morning, the legends arrived at the NPR Music office bleary-eyed yet excited to play for the diverse staff of Shaggy and Sting fans. What surprised many of my NPR colleagues is just how well the collaboration works.
Their success as a duo shouldn't come as a total shock. After all, pulsing through many Police songs (Sting's famed band of the '70s and '80s) is a Reggae backbeat. It's impossible not to hear the influence in classics like "Walking On The Moon" and "So Lonely."
Shaggy (zoinks! - his nom de guerre comes from the Scooby-Doo cartoon character) was born in Kingston, Jamaica. He moved to New York when he was 18 and his music evokes only good vibes. The positive energy he brought to their opening song, "Englishman [and Jamaican] In New York," had everyone in the room grinning ear to ear, "early morning Reggae style," as he put it. After the tune, Sting announced "I never sang that song before 8 PM... Ever!"
Sting's familiar, raspy voice was accompanied by his battered 1957 Fender Precision bass he's plucked for over 25 years. His long-time guitarist and collaborator, Dominic Miller, strummed Reggae offbeats on acoustic guitar and co-wrote the hauntingly beautiful "Shape Of My Heart." That song is mashed-up with Juice Wrld's "Lucid Dream," sung by Gene Noble, offering a refreshing counter to Sting's nuanced melody.
Shaggy affectionately refers to his collaborator as "Stingy," putting his arm around him mid-performance. It's easy to see the comradery that being on the road together affords these veteran musicians, to say nothing of the breath of fresh air they bring to each other's music.
SET LIST
"Englishman in New York"
"Don't Make Me Wait"
"Shape of My Heart/Lucid Dreams"
MUSICIANS
Sting: vocals, bass, guitar; Shaggy: vocals; Dominic Miller: guitar; Gene Noble: vocals; Melissa Musique: vocals
CREDITS
Producers: Abby O'Neill, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineer: Josh Rogosin; Videographers: Morgan Noelle Smith, CJ Riculan, Maia Stern, Beck Harlan; Editor: Kaylee Domzalski; Associate Producer: Bobby Carter; Photo: Cameron Pollack/NPR
98th Annual MOREHOUSE & SPELMAN Christmas Carol Concert | 2024
This Saturday, BlackTree Media presents The George McKenna Story, the inspiring 1986 biographical drama starring a young Denzel Washington as real-life Los Angeles educator Dr. George McKenna, whose commitment to discipline, excellence, and heart transformed one of the city’s toughest schools.
Before Glory, before Malcolm X, before becoming an Oscar legend — Denzel Washington delivered one of his earliest commanding performances as a determined principal willing to confront gangs, apathy, and broken systems to lift his students up. His portrayal helped define the “inspirational educator” subgenre long before films like Lean on Me and Stand and Deliver became staples.
⭐ Plot Summary
Based on a true story, the film follows McKenna as he takes over notorious George Washington Preparatory High School, battling violence, low expectations, and a culture of defeat. Through tough love, community engagement, and high standards, he helps the students discover their potential and restores pride in a forgotten neighborhood.
⭐ Starring
• Denzel Washington — in one of the key early roles that showcased his natural leadership and intensity
• Lynn Whitfield (Eve’s Bayou, Madea’s Family Reunion)
• Debbi Morgan (All My Children, Eve’s Bayou)
• John Quade
• Art Evans
🎬 Directed by:
Eric Laneuville (actor-turned-director known for ER, Lost, and Grimm)
This inspirational true story reminds us how one committed educator can change an entire community.
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BlackTree TV is your premier destination for the best in entertainment, culture, and lifestyle content. With a focus on in-depth interviews, exclusive coverage, and a dedication to showcasing diverse voices and stories, BlackTree TV brings you closer to the icons and influencers shaping our world. From the red carpet to behind-the-scenes, BlackTree TV provides an insider's view into the magic of movies, music, fashion, and more. For more exclusive content, interviews, and in-depth coverage, subscribe to our channel and follow us on our journey to celebrate the art of storytelling.
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Stream//Download "What It Is" (Versions) here: https://doechii.lnk.to/WhatItIs
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#Doechii #WhatItIs #KodakBlack
Lyrics:
What it is hoe?
What’s up?
Every good girl needs a little thug
Every block boy needs a little love
If he put it down, Imma pick it up, up, up
Can’t you see it’s just me and you
Panoramic view, that’s my point of view babe
All about me- that’s the energy
That’s that lemon pepper thing
I’m a ten-piece baby
Bedroom bully in the bando
He gonna make it flip
Do it with no handles
Never switching sides,
Only switching angles
Oooo we go crazy like Rambo
What it is hoe?
What’s up?
Every good girl needs a little thug
Every block boy needs a little love
If he put it down, Imma pick it up, up, up
What it is hoe?
What’s up?
Every good girl needs a little thug
Every block boy needs a little love
If he put it down, Imma pick it up, up, up
Hit ‘em up,
Hit ‘em up in a truck
Got it tucked
He get it up, like its stuck
All night, I like
You ain’t gotta say when you know its onsite
[Kodak Verse]
She got everything he wanted
A nice body, ass fat
Behind every gangster, a shawty solid that got his back
He know who to come to every time the world handle him bad
The one he call first, but still he always put her last
I’m pouring out the glass,
My body fighting off that gas
On smokebox I kill ‘em
That zaza pack kicking my ass
The studio dozing,
All I can keep from all this sleep
I hate that for you niggas
Ain’t got no bread, but trying to beef
Being black in America is the hardest thing to be
Every thug need a little love too,
Baby how ‘bout me?
Told her don’t call me a stink
Cause I smell like money
I’m putting down the greatest babe
Hold this here for me
I took her from a nigga
We vibing two weeks out the country
So she had a little situation,
But I could tell it ain’t ‘bout me
I mean hoe rapping bitch
She say dont hush, I say dont rush me
And I can tell how much she like a nigga by the way she suck it
What it is
What it is hoe?
What’s up?
Every good girl needs a little thug
Every block boy needs a little love
If he put it down, Imma pick it up, up, up
What it is hoe?
What’s up?
Every good girl needs a little thug
Every block boy needs a little love
If he put it down, Imma pick it up, up, up
I don’t care if you’re in the streets
As long as you’re coming home to me
I love the way you walk and the way you speak
He gonna keep it real
That’s the deal
That’s the reason I speed down
I put that all on my name
Yea, that’s an even exchange
Stay on your tail
We gonna tell ‘em
We gonna tell ‘em
What babe
What it is hoe?
What’s up?
Every good girl needs a little thug
Every block boy needs a little love
If he put it down, Imma pick it up, up, up
What it is hoe?
What’s up?
Every good girl needs a little thug
Every block boy needs a little love
If he put it down, Imma pick it up, up, up
Back it up and do-do it like that, yea
Back it up and do it like that, yea
Back it up, back it and do it like that, yea
Back it up, don’t do it like that, yea
Eh, what’s up?
J White did it
More hits on the way
Yea, when you look up
You know what I mean?
Ride out, woah
Director: Omar Jones | @freeomarjones
Executive Producer: David Wept | @davidwept
Executive Producer: Jagger Corcione | @burberryboxers
Executive Producer: Anthony “Top Dawg” Tiffith – TDE | @dangerookipawaa
Executive Producer: Anthony “Moosa” Tiffith Jr. – TDE | @moosatde
Kodak Management: Derek “Dyryk” Garcia
VP, Creative & Content Development - Capitol: Kevin Kloecker | @kevinkloecker
Director, Video Production - Capitol: Chase Chandra | @thechasemonser
Label: TDE / Capitol Records
Production Co: 5 Towns Media House | @5towns
Doechii Stylist: Tizita Balemlay | @theplugsdaughterr
Doechii Makeup: Dee Carrion | @deemakeupart
Doechii Hair Stylist: Tokyo Stylez | @tokyostylez
Doechii Hair Stylist: Styles By Synphony | @signaturestylesbysynphony
Doechii Nails: Saccia Trinice | @sacciadidthat
Kodak Stylist: Ana Aranda | @styledxana
Producer: Farah Idrees | @idr_farah
DP: Scott Siracusano | @scott_siracusano
Editor: Alex Morrison | @morrydraco
VFX: Justin M Johnson | @ _muugen_
Casting Director: Mill Ticket Casting | @milltickettv
Music video by Doechii performing What It Is (Block Boy). Top Dawg Entertainment/Capitol Records; © 2023 Top Dawg Entertainment, LLC, under exclusive license to UMG Recordings, Inc.
http://vevo.ly/7Or4vj
The eight Bonner siblings and their parents, all talented vocalists in their own rights, gathered from around the country to compose and record this original song based on the hymn “I Need Thee Every Hour.”
Debra and Harry Bonner served as Baptist missionaries in Africa before becoming members of The Church of Jesus Christ of Latter-day Saints. In this powerful performance, they and their children, who are also members, share the message dearest to their hearts: We need Him, and He is here.
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The Church of Jesus Christ of Latter-day Saints
A quick snapshot of the entire season of The Yard HBCU Esports Alliance presented by Gillette.
Stream 'Til A Mawnin (Remix) Now: https://ranchxvp.lnk.to/TilAMawninRemix
Shaggy and Sting return with a new remix of their single “Til A Mawnin” out now via Ranch Entertainment/VP Records.
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VP Records x Ranch Entertainment 🇯🇲
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#Shaggy #Sting #TilAMawnin #Reggae #VPRecords #RanchEntertainment
The White House
Sam Acho and Herm Edwards react on SportsCenter to the Seattle Seahawks’ 29-13 win over the New England Patriots in Super Bowl LX.
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0:00 Jensen Huang - Nvidia CEO
5:53 Alex Karp - Palantir CEO
10:21 Scott Bessent - US Treasury Secretary
15:46 David Sacks - AI and Crypto Czar
25:07 Elon Musk
33:08 Donald Trump
I worked at Tesla starting from 2017 thru 2021. I spent most of my time in the distribution and supply chain organizations in leadership positions.
Before Tesla, I was a Director of Business Intelligence and Pricing at the largest Pet Food & Supply distributor in the US, Phillips Pet Food & Supplies. My wife and I also owned a small business in Bethlehem, PA between 2016 and 2019.
I have been a shareholder of Tesla since 2012 and currently own Tesla stock. Nothing I say constitutes as investment or financial advice.
My thoughts are my own and are not representative of everyone who currently works, or has worked at Tesla, Phillips, or any other company or organization I discuss on this channel.
If you like this content I would greatly appreciate your likes and shares!
#Tesla #elonmusk #twitter #tsla #TeslaNews #TeslaFSD #TeslaFSDBeta #teslastockanalysis #TeslaUpdate #investing #ElonMuskNews #teslanews #EV #FSD #investing
Fashion History - How are African American Men Driving Fashion trends today?
“Anxiety” Doechii
Directed by James Mackel for Adele Drive
Production Company: Adele Drive
Executive Producers: Anthony “Top Dawg” Tiffith, Anthony Moosa Tiffith
EP: Langston Griffith-Siebens
Production Company: More Avenue
Produced by Jolene Mendes, Sophia Sabella, Pablo Feldman
Director of Photography: Nico Aguilar
Production Designer: Hensel Martinez
Choreographer: Robbie Blue
Stunt Coordinator: Robert Brown
Creative Directors: James Mackel, Connor Tingley, Sammy McEntire, Langston Griffith-Siebens
Editor: Sammy McEntire
VFX: Pendulum
Colorist: Bryan Smaller
Featuring: Courtney Hargrett, Sydney Hargrett
Production Manager: Rachel Nagao
Production Coordinator: Megan Short
Location Manager: Ron Dabach
Production Accountant: Jessica Feder
First Assistant Director: Jonas Morales
Second Assistant Director: Damon Limbrick
Second Second Assistant Director: Jane Kim
Assistant Choreographer: Marie Spieldenner
First Assistant Camera: Connor Lambert
Second Assistant Camera: Jordan Oglesby
Loader: McKay Todd
Steadicam Operator: Chris Loh
Crane Operator: Clay Platner
Crane Tech: Ned Hurlbut
Matrix Techs: Simon Shin, Doug McCormick
VTR: Bob Mills
Chief Lighting Technician: Tony Varoula
Assistant Chief Lighting Technician: Don Davidson
Electrics: Fred Palluzi, Nick Arnold
Hyphenate Driver / Electric: Anthony Olmos
Key Grip: John Day
Best Boy Grip: Stu Brumbaugh
Grips: Sara Elia, Adam Baker, Hermexial Drexilus
Dolly Grip: Kenneth Colbentz
Hyphenate Driver / Grip: Peter Yauri
Transportation Gang Boss: Rick Antonette
Art Directors: Helen Morales, Adam Miko, Justin Brown
Set Decorator: Natalia Brito
Lead Person: Leo Arroyo
Hyphenates: Talyn LaTour, Maximo Huete
On-Set Dresser: Nick De La Rosa
Set Dresser: Drew Wall
Scenics: Danielle Manning, Anya Dikareva, Krystall Schott, Hailee Field
Shoppers: Heidy Orellana, Simone Arielle Moscovitch, Kaylinn Duffy, Alina Çelik
Graphic Designer: Mackenzie Murray, Remy Levy
Art Assistant: Dylan Dobler
Special Effects / Pyro: John Eggett
Doechii’s Team –
Assistant to Doechii: Caroline Fromm
Stylist: Sam Woolf
Styling Assistant: Juliette Hill
Makeup Artist: Chelsea Uchenna
Hair: Evalyn Denis
BTS Stills: Xavier Scott Marshall
BTS Video: Zenzele Moore Ysaguirre
Capitol Music Group
Capitol Creative: Chase, Salomon
Capitol Digital: Danielle Nicholson
Dancers / Stunts / Background Wardrobe –
Costume Designer: Lisa Madonna
Assistant Costume Designers: Dani Dolinger, Justin Rose
Courtney & Sydney’s Wardrobe –
Costume Designer: Rasheeda Raines
Dancers / Background Hair & Makeup –
Key Makeup Artist & Key Body Painter: Nadia Reese Stone
Additional Makeup Artists & Body Painters: Laurel Charleston, Megan Dupuy, Morrisa Pena
Additional Makeup Artist: Elise Gehrke
Additional Hair Stylist: Gabriela Aceves
Dancer Agencies: BLOC, UTA, MSA, CTG, GO2
Principal Dancers: Peyton Matthias, Andrea Bess, Ardyn Flynt, Keera Kittles, Randi Moraga, Kaylin Motton, Hezekiah Anthony, Lucas Debiasi, Mariyah Hawkins, Gavin Morales, Selena Hamilton, Janae Holster, Anthony Ciaccio, Aysia Ianiero, Zachary Venegas, Rex Kline, Jakevis Thomason, Gabi Barra, Dyllan Blackburn, Jordyn Green, Kenneth Espiritu, Jalen Rashad, Anthony Curley, Dai Boyd, Hannah Winship, Hamly Tavarez, Angel Mammolitti, Robbie Olmos, Jaylen Pea, Augustine Perez
Ensemble Dancers: Shanie Blais, Shelby Davis, Nevaeh Eloi, Kailani Rae, Forest Lee, Davon Rashawn, Denna Thompson, Chaz Buzan, Ava Berstine-Mitchell, Tina Jarmusz, Sofie Loeken, Ally Waller, Alyssa Sniff, Matthew Kubitz, Austin Lee, Jaelyn Heath, Gregg Sainvilus, Kyndall Ash, Liv Battista, Dominique LaRaine, Preslee Tucker, Kyla Chaney, Ania Crist, Athena Cruz, Jordan Gaskin, Alexandria Schacter, Daniel Asamoah, Zion Harris, Seth Kai, Grayson McGuire, Phi Voba, JJ Allen, Caryn Mueller, Carlin Dixon, Rauf Yasit
Stunt Performers: Tyler Elliott, Joe Santos, Brian In, LK Lavecchia
Background: Marquise Smith, Martyrs Smith, Sara Salazar, Andrea Salazar, Katie Molloy, Emma Molloy, Olga Fridman, Yulia Maleko
Medics: Heidi Rodriguez, Krisztina Barabas
Production Assistants: John Bonin, Donovan Watson, Patrick Wirth, Omar Gutierrez, Luther Sartor, Joseph Steven Huegel, Cameron Robson, Jonathan Davis, Jhovanny Esparza, Daved Olivencia, Danny Mullen, Anthony Vega, Julio Almaguer, Matt Dulberg, Jeffrey Petro, Dylan Myers, Julie Nyznik, Julian Domingues, Bella Soto
Matmen: Alfredo Papadaki
Post –
Post Producer: Sammy McEntire
VFX Supervisor: Ryan Zum Mallen
VFX Producer: Damian Giampietro
VFX Creative Director: Sammy McEntire
Compositors: Victor Velasco & Diana Iatsenko
QC: Dena Zum Mallen
On-Set VFX Supervisor: Ben Kadie
Additional VFX Cleanup: Paume Post Production
Sound Design: Adam Carl
Color House: Company 3
Color Producer: Mario Castro
Special Thanks: Sony, Kodak, Panavision, Amanda Sasaki, Calvert Studios, Image Locations
143rd Prairie View A&M University Spring Commencement
A Chicago chef who started her expanding restaurant empire in Atlanta is helping dozens of students fulfill their college dreams, by financing scholarships for historically Black colleges and universities.
https://sxm.app.link/YouTubeSAS
Buckle up daily with Stephen A. Smith as he brings his no-holds-barred perspectives on sports with his unfiltered "tell it like it is" takes on the biggest headlines in sports. He also sits down with high-profile guests talking sports and engages with listeners across North America, Monday - Friday! Holla@urBoy!
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Click SEE MORE for the full list of acts and time stamps.
Original Songs That Deserve A RECORD DEAL Right Now! 🤩
Comment below which act is your favorite!
Micah Palace - AGT 2025 - 00:00
Mia Morris - AGT 2022 - 04:09
Honey Scott - BGT 2022 - 09:30
Steve Ray Ladson - AGT 2025 - 11:38
Flewnt and Inkabee - AGT 2024 - 16:54
Madilyn Bailey - AGT 2021 - 20:26
Aidan Martin - X Factor UK 2017 - 23:44
Nicotine Dolls - AGT 2022 - 29:39
Ashes and Arrows - AGT 2024 - 34:00
Reuben Gray - BGT 2017 - 39:02
#AGT #BGT #XFactor #GotTalent
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'Got Talent' was named the world's most successful reality TV format ever by Guinness World Records. Cowell stated, “I am very proud that Got Talent is a home grown British show. We owe its success to a group of very talented producers all over the world who have made this happen. And of course amazing talent.”
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BigXthaPlug - All The Way feat. Bailey Zimmerman (Official Music Video)
Stream All The Way: https://symphony.to/bigxthaplug-2/all-the-way
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Lyrics:
Don’t let me down easy
If you’re gonna leave me
Baby go and leave me all the way
Don’t ask for all your things back
Cussin’ out my name yeah
Just to go and take back what you say
Burn all the bridges
Don’t ask forgiveness
Walk away like I’m someone you hate
Don’t let me down easy
If you’re gonna leave me
Baby go and leave me all the way
Aye, if it's over it's over so f*ck it
Just don't act like my love wasn't nothing
Like I wasn't the one you was holding at night telling all your secrets and hugging
Cause you right, it's too good to be true
Was a point all I needed was you
But sh*t time after time all this fussing and fighting it's time you do what you do
And it's cool, mama said there was fish in the sea
I got lost in the pool
Knew it was coming, I watched how you move,
how you turned your back on me and leave Me to lose
Remember the text how you said that you do
Said that you'd never leave we would fight til it’s due
But as it went on I was fighting for you
Sent a text it turned green why the f*ck it ain't blue
Guess you gone and I get it
Said you stay and you wanted my name but you left so I'm guessing that you never meant it
Said you’d try and hold on cause the love was so strong now I'm standing alone in this kitchen
Singing sad songs but I'm knowing that this sh*t don't last long
If you're leaving then leave cause your bags gone
But just know that you can never come back home
Don’t let me down easy
If you’re gonna leave me
baby go and leave me all the way
Don’t ask for all your things back
Cussin’ out my name yeah
Just to go and take back what you say
Burn all the bridges
Don’t ask forgiveness
Walk away like I’m someone you hate
Don’t let me down easy
if you’re gonna leave me
baby go and leave me All the way
Aye, if you say that you done then no takes backs
Said you fell outta love and I hate that
But see me I was stuck like a drug really fiening for love and somehow I can't shake back
When you walked out that door I was hurting
All the dreams in my head you was perfect
You remember the very first time that we chilled and I reached for your hand where the nerves at
Time will pass cause sh*t that’s what it do it be time I be sick sitting thinking about you
It was death do us apart till you gave me the blues
Really played with my heart had me lost in the view
Thought this sh*t was fair game but you made up the rules
On my hear left a scar and a bruise
Hope that you can stand on all the sh*t that you did cause I’m done
Yeah I’m finally through
Don’t let me down easy
If you’re gonna leave me
Baby go and leave me all the way
Don’t ask for all your things back
Cussin’ out my name yeah
Just to go and take back what you say
Burn all the bridges
Don’t ask forgiveness
Walk away like I’m someone you hate
Don’t let me down easy
If you’re gonna leave me
Baby go and leave me all the way
#BigXthaPlug #baileyzimmerman #newmusic
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