Lars Gotrich | May 7, 2025
Music can transport you, even or especially when the destination's unknown. For 22 minutes, this is what Jeff Parker's Tiny Desk with the ETA IVtet can offer: a space for your mind to meditate on what the music speaks, set to a gossamer groove.

Even though Parker is in the group's name, equality runs the show: a quiet drone sets the tone, then the music is completely improvised. Stillness, followed by reflection and response. Josh Johnson, an alto saxophonist with a quiet-yet-commanding sense of effects, builds little worlds out of loops and fluttering melody. Jay Bellerose, a drummer who's worked with the likes of Allen Toussaint and Suzanne Vega, is painterly in his brush and stick work, but bursts with a sun-beamed drum fill when the moment calls. Anna Butterss performed next to Jenny Lewis for her Tiny Desk in early 2020; here, the bassist both provides a grounding presence and the basis for liftoff. Parker — an immediately recognizable, yet malleable guitarist known for his time in Tortoise, the Chicago Underground and a CV far too long to list here — plays with repetition until melodic figures reveal themselves. Informed by the members' backgrounds in jazz, ambient, funk, rock, electronic and minimalist music, the band's mystical approach to improvisation never bends to one sound at a time.

Andie Huether, our audio technical director for this concert, dug into NPR's equipment archives and set out a Nagra IV tape recorder on the Desk as a nod to engineer Bryce Gonzales, who developed a live mixing and recording rig with a similar unit for the band's sets at the now-closed ETA club in Los Angeles. "In the days before portable digital recorders," Huether explains, "NPR reporters and engineers would take machines like this one into the field to capture reporting and bring (or ship) the resultant tapes back to HQ to be edited and incorporated into our broadcasts." We didn't record this Tiny Desk analog, but the spirit remains: a conversation captured in small space, one worth watching — and hearing — over and over again.

SET LIST
"Hearing 3.26.25"

MUSICIANS
Jeff Parker: guitar
Josh Johnson: alto saxophone
Anna Butterss: bass
Jay Bellerose: drums

TINY DESK TEAM
Producer: Lars Gotrich
Director/Editor: Maia Stern
Audio Technical Director: Andie Huether
Host/Series Producer: Bobby Carter
Videographers: Maia Stern, Joshua Bryant, Kara Frame
Audio Engineer: Josh Newell
Production Assistants: Ashley Pointer, Dora Levite
Photographer: Grace Raver
Tiny Desk Copy Editor: Hazel Cills
Executive Producer: Suraya Mohamed
Series Creators: Bob Boilen, Stephen Thompson
VP, Visuals and Music: Keith Jenkins

#jeffparker #nprmusic #tinydesk

Support for NPR Music comes from Capital One. Presenting sponsor of the 2025 Tiny Desk Contest. What's in your wallet? Learn more at CapitalOne.com.

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Led by Stephen Curry's playoff-career high 50 points, along with 8 rebounds, 6 assists and 7 3pt. FG, the No. 6 seed Golden State Warriors defeat the No. 3 seed Sacramento Kings in Game 7, 120-100. Andrew Wiggins added 17 points and 7 rebounds in the victory, while Domantas Sabonis tallied 22 points, 8 rebounds and 7 assists for the Kings. After closing out this best-of-seven series, 4-3, the Warriors now advance to the Western Conference Semifinals where they will face the Los Angeles Lakers. Game 1 will be played on Tuesday, May 2 (10:00 p.m. ET, TNT).

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MetaMask is a browser extension that acts as both a wallet and a way for you to interact with different blockchain networks. The first component of MetaMask is a wallet, meaning that you can use MetaMask to store your cryptocurrencies. The second component of MetaMask is the ability to interact with blockchain networks. What this means is that MetaMask allows you to use all the decentralized applications, known as dApps, which are hosted on the network.

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Guide to using MetaMask - https://www.coingecko.com/buzz..../complete-beginners-
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Based on the Pulitzer Prize-winning novel, ALL THE LIGHT WE CANNOT SEE tells the story of the extraordinary power of human connection. Over the course of a decade, this limited series interweaves the lives of Marie-Laure Leblanc, a blind French girl taking refuge with her uncle during WWII, and Werner Pfennig, an brilliant German teenager with an expertise in radio repair. Through a shared secret connection, they find faith in humanity and the possibility of hope.

From Director Shawn Levy, All the Light We Cannot See stars Louis Hofmann, Lars Eidinger, Marion Bailey, with Hugh Laurie and Mark Ruffalo. And introducing newcomer Aria Mia Loberti.

Coming to Netflix, November 2nd, 2023.

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Netflix is one of the world's leading entertainment services with 231 million paid memberships in over 190 countries enjoying TV series, films and games across a wide variety of genres and languages. Members can play, pause and resume watching as much as they want, anytime, anywhere, and can change their plans at any time.

All the Light We Cannot See | Official Teaser | Netflix
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SpaceX Falcon 9 rocket launches from Kennedy Space Center in Merritt Island, Fla., in a relief mission for the NASA astronauts aboard the International Space Station. #foxnews

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FOX News Channel (FNC) is a 24-hour all-encompassing news service delivering breaking news as well as political and business news. The number one network in cable, FNC has been the most-watched television news channel for 18 consecutive years. According to a 2020 Brand Keys Consumer Loyalty Engagement Index report, FOX News is the top brand in the country for morning and evening news coverage. A 2019 Suffolk University poll named FOX News as the most trusted source for television news or commentary, while a 2019 Brand Keys Emotion Engagement Analysis survey found that FOX News was the most trusted cable news brand. A 2017 Gallup/Knight Foundation survey also found that among Americans who could name an objective news source, FOX News was the top-cited outlet. Owned by FOX Corporation, FNC is available in nearly 90 million homes and dominates the cable news landscape, routinely notching the top ten programs in the genre.

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Usimamane & Rick Ross - Dangerous II (OFFICIAL MUSIC VIDEO)

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With interest rates at a 22-year high, Michael Pugh says Black business owners crunched for cash should look to community-based financial institutions for help.“Learn more about them; we have a very different scope [regarding loan arrangements],” Pugh, the CEO of New York-based Carver Federal Savings Bank, tells Forbes of community banks. “We have to make sure we extend our arms and get out there and tell people what they need to know to start achieving that generational wealth.”August is National Black Business Month, and ForbesBLK is highlighting the theme with special discussions about sustaining and expanding Black firms. Based in Harlem, Carver is one of the largest Black-run financial institutions in the U.S., celebrating its 75th anniversary in 2023. The bank is named after George Washington Carver and trades on the NASDAQ. Pugh was named CEO in 2012.Black businesses generated $206 billion in annual revenue and supported 3.56 million U.S. jobs in the last decade, according to the non-profit Brookings Institution. However, though Black people comprise 14.7% of the U.S. population, the community represents 12.4% of sole proprietorship and only 2.4% of employer businesses. Brookings said the stats show “disparities” that hold back Black entrepreneurs and “restrict economic opportunities for entire communities, which in turn impacts local prosperity.” Brookings also notes that access to sufficient capital remains a lingering issue for Black-owned businesses. That causes entrepreneurs to rely on personal funds and credit cards to finance operations.

SZA’s New Album “SOS” // Available Everywhere Now!
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Director: Christian Breslauer
Production Company: London Alley
Producers: Andrew Lerios, Mike Breslauer, Luga Podesta

Director of Photography: Xiaolong Liu
Production Designer: Arae Webner
Editor: Luis Caraza Peimbert
Stylist: Alejandra Hernandez
Additional Styling: Ann-Marie Hoang
Label Producer: Camille Yorrick

Executive Producers : Anthony “Top Dawg” Tiffith and Terrence “Punch” Henderson
Executive Producers: Luga Podesta, Brandon Bonfiglio, Andrew Lerios

Fight / Stunt Coordinator: Paul Lacovara
Casting Director: Sarah-May Levy
Choreographer: Cortland Brown

Production Manager: Nick Pistone
First Assistant Director: Jonas Morales
Production Coordinator: Anthony Nelson

Post Production Supervisor: Ivan Ovalle
Assistant Editor: Tanner Jackson, Chloe Scrushy
Colorist: Matt Osborn

Animation Studio: Nathan Love
Animation EP: Jon O’Hara
Animation Producer: Joe Burrascano
Animation Director: Sunshine Mail
Visual Effects: Cameo FX

#SZA #KillBill #SOS #OfficialVideo

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On this episode, Bill is joined by veteran broadcaster and cultural commentator Don Lemon. The two discuss Don’s transition away from CNN and his new foray into streaming, the shifting landscape of media bias and viewer trust, the lure of unfiltered conversation versus traditional “managed” television formats, and the political tightrope walk of modern journalism. They candidly dive into everything from Don’s experiences as a gay Black man in the public eye and meeting his husband, diversity and inclusion in hiring, the mystique of AOC, “defund the police,” and how Democrats might counter the MAGA movement without veering into extremes. They also weigh in on the comforts (and occasional perils) of personal freedom. All this, plus reflections on life in New York vs. Los Angeles, the ups and downs of public perception, and much more.

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0:00 Jensen Huang - Nvidia CEO
5:53 Alex Karp - Palantir CEO
10:21 Scott Bessent - US Treasury Secretary
15:46 David Sacks - AI and Crypto Czar
25:07 Elon Musk
33:08 Donald Trump

I worked at Tesla starting from 2017 thru 2021. I spent most of my time in the distribution and supply chain organizations in leadership positions.

Before Tesla, I was a Director of Business Intelligence and Pricing at the largest Pet Food & Supply distributor in the US, Phillips Pet Food & Supplies. My wife and I also owned a small business in Bethlehem, PA between 2016 and 2019.

I have been a shareholder of Tesla since 2012 and currently own Tesla stock. Nothing I say constitutes as investment or financial advice.

My thoughts are my own and are not representative of everyone who currently works, or has worked at Tesla, Phillips, or any other company or organization I discuss on this channel.

If you like this content I would greatly appreciate your likes and shares!

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Stephen A. Smith shares his firsthand account from inside the White House Correspondents’ Dinner after a shocking shooting scare. From hearing the shots to ducking for cover, he breaks down the chaos, confusion, and what really happened that night.

https://sxm.app.link/YouTubeSAS

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Stories about punk music tend to picture thin-framed white guys and girls with shaved heads, part of an angry, energetic scene born out of the working class angst of young white England in the 1970s. But the actual history of punk – as a type of music and movement – is more complicated than that.

Black punks have been an integral and pioneering part of punk history – and they're keeping the movement alive and growing today. Host Sana Saeed explores that history and talks to proto-punk band Death, musician and journalist Greg Tate, the band The 1865 and festival organizer Shawna Shawnté.

Learn more here:
New York Times. “This Band Was Punk Before Punk Was Punk.”http://www.nytimes.com/2009/03..../15/arts/music/15rub

Vice. “The Bands Taking British Punk Back to Its Multicultural Roots.” https://noisey.vice.com/en_us/....article/padjev/decol

GQ. “Nazi Punks F**k Off: How Black Flag, Bad Brains and More Took Back Their Scene from White Supremacists.” https://www.gq.com/story/punks....-and-nazis-oral-hist

Relevant links:
A Band Called Death: http://drafthousefilms.com/fil....m/a-band-called-deat
The Universe Is Lit: http://www.theuniverseislit.com/
Bay Area Girls Rock Camp: https://www.bayareagirlsrockcamp.org/
The 1865: https://www.instagram.com/the1865band/

Presented by: Sana Saeed
Edited by: Brian Joseph and Michael Zipkin
Animations by: Chia Liu
Produced by: Sana Saeed and Kathryn Wheeler
Executive Producer: Sarah Nasr


Music tracks courtesy APM, YouTube and The 1865.
Footage and images courtesy of Getty Images, The Universe is Lit, Keep on Knocking, LLC, Ed Marshall Photography NYC, Evan Carter and Paul Rosenfield.